https://rawanaladwan.info/weekly1.0https://rawanaladwan.info/blogweekly0.9https://rawanaladwan.info/rawan-al-adwan-artweekly0.9https://rawanaladwan.info/press-release/biography-2weekly0.9https://rawanaladwan.info/press-release/press-release-2weekly0.9https://rawanaladwan.info/press-release/tribune-de-gen-veweekly0.9https://rawanaladwan.info/contactweekly0.9https://rawanaladwan.info/press-release/https---www-albawaba-com-editors-choice-rawan-adwan-historical-rock-artist-bringing-past-life-1488056weekly0.9https://rawanaladwan.info/press-release/contact-2weekly0.9https://rawanaladwan.info/safaitic-rock-inscriptionsweekly0.9https://rawanaladwan.info/cvweekly0.9https://rawanaladwan.info/blog/from-ancient-history-of-jordan-to-the-beauty-of-nature-in-switzerlandweekly0.6https://rawanaladwan.info/blog/the-symbole-of-camelweekly0.6https://rawanaladwan.info/blog/memories-carved-by-ancient--arab-beduins-on-stonesweekly0.6https://rawanaladwan.info/blog/rawan-al-adwan--bridging-swiss-nature-and-ancient-jordanian-inscriptions-through-artweekly0.6https://rawanaladwan.info/blog/echoes-of-times-on-contemporary-art-written-by-rawan-al-adwan-during-an-artist-s-initial-venture-into-the-realm-of-drawing--they-typically-embrace-a-realistic-approach-by-capturing-the-world-around-them---be-it-the-intricate-details-of-trees--the-beauty-of-nature--or-the-people-populating-their-environment--however--progression-in-the-artistic-journey-demands-a-departure-from-the-familiar-and-a-quest-for-a-distinctive-style-that-sets-them-apart-from-their-peers--artistry-transcends-mere-perfectionism-in-detail--it-is-a-medium-for-emotions--a-canvas-for-colour-harmony--and-a-channel-for-the-artist-s-unique-perspective-and-message--the-incorporation-of-elements-of-beauty-signifies-a-cultural-acumen-that-enables-artists-to-craft-narratives-through-their-compositions---if-artists-had-strictly-adhered-to-the-guidance-of-their-masters--the-impressionist-revolution-may-not-have-transpired--reshaping-the-landscape-of-numerous-art-disciplines--recognizing-both-traditional-and-self-taught-approaches-to-drawing-and-painting-is-crucial-in-today-s-art-world--even-though-some-self-taught-artists-have-achieved-fame-like-henri-rosseau-and-vincent-van-gogh-----the-sulawesi-warty-pig-painting--found-in-the-limestone-cave-of-laang-tedongnge-indonesia-is-now-the-earliest-known-representational-work-of-art-in-the-world---rock-art-is-the-first-artistic-forms-known-to-humankind--dating-back-to-more-than-forty-thousand-years--in-our-modern-and-contemporary-times-many-artists-inspired-by-rock-and-cave-art--paul-klee-s-in-his-artwork-entitled--comedians--handbill--is-an-example-of-how-an-artist-can-draw-inspiration-from-the-past-and-reinterpret-it-in-a-modern-context--in-this-painting--klee-is-influenced-by-the-rock-art-of-ancient-cultures--specifically-the-symbols-and-motifs-found-in-cave-paintings--this-work-reminds-me-of-the-inga-panel-rock-art-which-is-found-in-brazil-and-it-s-dated-back-to-more-than-6000-b-c--he-takes-these-symbols-and-incorporates-them-into-his-own-unique-composition--blurring-the-lines-between-traditional-art-forms-and-creating-a-new-language----inga-rock-art-panel--brazil---the-use-of-symbols-in--comedians--handbill--is-not-just-a-nod-to-the-past--but-rather-a-way-for-klee-to-explore-the-essence-of-human-communication--the-symbols-are-used-to-convey-emotions--ideas--and-stories--much-like-they-did-in-ancient-cave-paintings--klee-s-use-of-these-symbols-is-not-literal--but-rather-a-metaphorical-expression-of-the-human-experience----paul-klee-comedians-handbill---it-challenges-the-viewer-to-think-creatively-about-the-role-and-arrangement-of-symbols-in-visual-art--it-is-the-power-of-art-to-transcend-time-and-culture--and-to-speak-to-us-in-a-language-that-is-both-universal-and-personal--he-employed-these-symbols-in-his-compositions-according-to-his-vision-and-message----keith-haring--a-contemporary-artist--was-also-inspired-by-cave-drawings-and-inscriptions--reinterpreting-them-in-a-modern-context----keith-haring--sin-titulo-1981---titled--lost-connection---my-painting-is-an-abstract-expressionist-piece-that-symbolically-portrays-a-camel-herder-above-a-rock---the-male-figure-above-the-rock-is-depicted-in-both-an-engraved-and-a-sense-of-hummer-manner--with-the-relief-ochre-colour-in-the-background-playing-a-crucial-role-in-emphasizing-the-movement-of-the-herder-s-hands-as-he-calls-out-to-the-camels--the-combination-of-ochre--light-green--and-subtle-touches-of-red-and-blue-creates-a-harmonious-balance-between-colours--resulting-in-a-strong--energetic-composition-that-evokes-humour-and-pleases-the-viewer---harkening-back-to-2001--my-symbolic-expressionist-artworks-draw-inspiration-from-safaitic-rock-art-in-jordan-s-northeast-region--these-ancient-engravings--created-between-1000-and-400-b-c--by-the-ancient-arabs-on-volcanic-rocks--have-endured-through-centuries-and-can-be-witnessed-in-jordan--saudi-arabia--syria--and-iraq-----rawan-al-adwan--acrylic-and-mixed-media-on-canvas--35x35-cm---lost-connection---the-significance-of-these-inscriptions-lies-in-their-role-as-the-initial-form-of-language-recorded--providing-a-glimpse-into-the-development-of-the-modern-arabic-language--one-key-milestone-in-this-evolution-is-the-al-masnad-inscription-discovered-in-yemen--dated-back-more-than-8000-b-c--these-inscriptions-not-only-showcase-the-earliest-evidence-of-reading-and-writing-but-also-hint-at-another-scientific-knowledge-yet-to-be-uncovered-----rawan-al-adwan--photo--north-east-of-jordan---through-my-artwork--i-aim-to-convey-the-timeless-presence-of-these-ancient-symbols-in-our-contemporary-world--they-serve-as-a-reminder-of-our-cultural-heritage-and-the-enduring-essence-of-our-histweekly0.6https://rawanaladwan.info/blog/https---vista-sahafi-jo-art-php-id-710387b2fae2b637b957cc32e8a3b147dbdcf2dbweekly0.6